Tuesday, October 30, 2012

Discussion Prompt #12

As we end our discussion of Dante's Inferno, what particular images and cantos stood out to you? What was your overall impression of the poem?

Thursday, October 25, 2012

Discussion Prompt #11

After reading over half of Dante's Inferno, what elements have particularly intrigued you? What details would you like to learn more about?  Then introduce 2-3 topics for a Research Paper based on your thoughts.  One of these paper topics must tie in a direct way to something discussed in cantos 22-28.  Be sure to use some details to explain why you think these topics are important things to research in the study of Dante and the Divine Comedy.

Tuesday, October 23, 2012

Discussion Prompt #10

After reading cantos 16-21, introduce a burning question you've had from the specific cantos that you believe will help spark discussion during class. Be sure to include an explanation that details why you think your question is important.

Thursday, October 18, 2012

Discussion Prompt #9

As we discussed in class, Dante draws a distinction between sins: those in which reason acknowledges what is right but allows itself to be overwhelmed by misdirected natural desires, and those punished within the walls of Dis, in which reason itself consents to the sin.  How do you see this distinction playing out in one of the sins we encounter in cantos 10-15?

Tuesday, October 16, 2012

Discussion Prompt #8

As Dante proceeds through hell, he begins to interact with the sinners he finds there. What is your own reaction to these individuals? Discuss your response to one particular sinner in detail: do you find yourself sympathizing with them, or condemning them? Why?

Sunday, October 14, 2012

Discussion Prompt #7

Do you feel that the first three cantos of Inferno match your expectations concerning a Medieval poem about a descent into Hell?  Why or why not?  Be specific and take evidence from the text to support your response.

Tuesday, October 9, 2012

Discussion Prompt #6

From reading Chapter 5, what did you find either most confusing or most intriguing about New Criticism?  Explain why, being as specific as possible.